Eric Striker – The Devil Has A Name: Who’s Behind Miley Cyrus’ Antics

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via TradYouth:

From circa 2006 to 2011, millions of families throughout our globalized world gathered in front of the Jude-tube to watch the teenage tribute to materialism, feminism, and ugly careerism known as Hannah Montana. The family the show follows is a crude stereotype of the “country bumpkin” Billy Ray worked hard to cultivate and transform into a profitable niche, but in spite of all the passive propaganda (including Miley Cyrus herself claiming it was patterned after Sex in the City, minus the sex ), the show was mostly free of pornography, gore, and suggestiveness–a rare find for parents in the 21st century.

[. . .]

The Annie Liebovitz controversy was an important signal to the Jewish establishment regarding the lack of responsible supervision over Miley Cyrus, and her potential as a vehicle for aggression in their war against mankind. When Hannah Montana came to an end, and Cyrus’ music career began to wane, she signed with the Jew manager Larry Rudolph, and her behavior has gotten more bizarre and viscerally offensive ever since.

Rudolph has specialized in “rejuvenating” the careers of child stars. The sleazy Ashkenazi pimp, in fact, has been credited with the short-lived pop fad of Cyrus’ fellow ex-Disney channel star Britney Spears, who at barely 16 years of age premiered in the 1999 Baby One More Time , where the Jew Nigel Dick collaborated closely with Rudolph to feature the teenage girl gyrating invitingly in pig tails and an erotically tailored catholic school uniform begging men to “hit her” (the song itself was written and produced by almost certain Jew Martin Sandberg aka “Max Martin”, and was played on loop on MTV and the radio until it grew on America’s young shiksas).

The media masters, it appears, get people like Spears and Cyrus into your living room by introducing them as sweet and innocent kids, then once children start looking at them as role models, suddenly “grow them up”. We all know how Spears ended up, and she was eventually retired after a very public and humiliating psychological break down–it is this, not just profits, that Jews seek for the masses.

[. . .]

Many people have commented on the contemporary push for normalizing child molestation, whether it’s the infamous “op ed” from Jew-infested Salon’s in-house pedophile done under the guise of “tolerance”, or the New York Times Jew Margo Kaplan’s “Pedophilia: A Disorder, Not a Crime” under the thin veneer of science, Jew Louis CK talking about screwing kids shielded by comedy, or mentally ill Yid laughing stock Shia Labeouf in clothes meant to make him look naked putting his face in the crotch of a prepubescent girl done under the cover of “performance art”. Anglo-Saxon semantics-culture is the easiest rubik’s cube the Talmudically trained debaters have ever beaten.

But Miley’s latest music video feels the climate is comfortable enough to not come up with an alibi. The video features Cyrus in a diaper and bonnet opening her legs up to the camera, rolling her tongue all over a pacifier to the lyrics:

I don’t really want an older you
I heard I change my mind with you often
Baby talk is creeping me out
Fuck me so you stop baby talking

[. . .]

Imagine if pedophilia becomes normalized against the people’s will, like “gay marriage” was. No parent will ever be able to share a bed or hug their own children ever again. You won’t be able to have your grandchildren on your lap, or tickle your nieces or nephews without suspicion, or at the very least, people having the depressing thought in the back of their minds. If you think the world is ugly today, it will only get worse unless we get together politically.

It’s impossible to know for sure, but Miley Cyrus’ career evolution was probably planned from the start of Hannah Montana. Imagine being the parent of a 5 year old girl who idolized the tender small town character of 2007 and then being in the awkward spot of forbidding her today from going to gratuitous tributes and promotions of animal behavior, pedophilia, drug use, immaturity, race-mixing, and who knows what else at a contemporary Cyrus performance.

Some people call him devil, others call him “liberal”, even more refer to him as “dangerous people”. But I won’t mince words: his name is Jew. And if we don’t exorcise him out of our country, the gangrenous sore will continue to grow.

Read more at TradYouth. . . .

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